
Varnish
A transparent finishing layer available in gloss, satin, or matte effects. It enhances the printed surface and adds an extra layer of visual appeal and light protection.
A small rigid or folding box with a fitted insert for one ring, carrying your logo on the face the recipient sees when the lid goes up. Orders start from 100 units.
Most boxes are opened by the person they were given to. A ring box is opened by one person toward another. It sits in a hand, the lid goes up, and the open box faces away from whoever is holding it. That is the fact to design the logo around, and it is the one the listings leave out.
An attached lid, the magnetic-closure rigid format, folds back and stays on the box. When it is open, its inside is a small panel raised directly behind the ring, facing the person the box is offered to. It is the most-looked-at face a ring box has, because it is the backdrop to the ring in the moment that matters and in every photograph of it. A logo there is seen by the recipient, not by the giver, and as general practice that is the position to spend the mark on with this construction.
A lift-off lid is different. It comes away in the giver’s other hand, or gets put down, and the recipient looks into the base: the ring on its insert, the inside walls around it. The inside of a lift-off lid is seen by whoever is holding the lid, which is usually the person who already knows the brand. With this construction the mark that faces the recipient goes on the insert’s surround or the inside wall of the base, and the lid carries the closed-box logo on its top.
The inside of an attached lid faces the recipient, so a logo printed there has to read from their side. To the giver, looking down over the top of the box, it is upside down, and that is correct. The error that reaches print is the opposite one: artwork set up so the mark reads to the person holding the box, which puts it upside down for the person it was meant for. So the artwork for an attached-lid box is prepared as two marks with two orientations, not one mark copied twice, and the proof to approve is the one that shows the box open, from the recipient’s side.
A ring sits in a slot cut into the insert, held by its band, with the stone or the face of the ring upright. As general practice the slot runs parallel to the lid’s fold line, side to side, so that when the box is opened toward someone the ring faces them rather than showing them its edge. On a lift-off box there is no fold line to run parallel to, so the slot is set against the face of the box that will be turned toward the recipient. Say which face that is when you order, because the printed front and the slot have to agree. The insert is cut to the band, in card, paperboard or foam, and a wide band, a stacked set or a signet ring is told to us so the slot is cut for it. The insert’s fit against a particular setting is a specification worked out on the order, not a figure this page carries.
The top of the lid is the closed-box face: the one seen on a counter, in a bag, and in the hand before the moment. A logo there is the ordinary choice, and its size is set by the panel, which on a ring box is small. That rule, and why a logo built for a larger box fails when it is shrunk onto this one, is at Jewellery Boxes With Logo and is not repeated here. A single mark on the lid top and a second inside, oriented to the recipient, is the usual pair for an attached-lid box; a lift-off box carries the top mark and the base mark instead.
Rigid board wrapped in printed paper takes foil stamping, embossing, debossing, a soft-touch or matt laminate and spot UV, subject to the specification. Foil inside the lid is the finish most often chosen for the recipient-facing mark, because it stays legible on a dark lining where a printed colour can sink. A folding-carton ring box in paperboard is the lighter option where the box travels inside other packaging and the moment is at home rather than across a counter. Pantone references and CMYK values can be used to manage colour consistency, subject to normal variation caused by the chosen board, ink, coating and production method.
Orders start from 100 units. Design support is free. A digital 3D mock-up is free. There are no setup fees. Standard production takes 6 to 8 business days after approval. UK delivery is free.
If the piece is a pair of earrings or the brief is a round box, Small Round Jewellery Box explains what a round cavity does that a slot does not. If the decision you are actually making is the closure for a single reveal rather than where the mark sits, Jewellery Gift Boxes is that page. Every other jewellery format, by piece and by construction, is listed at Custom Jewellery Boxes.
| Box Style | All Custom Packaging |
| Dimension | All Custom Sizes & Shapes |
| Quantities | 100-unit minimum order |
| Paper Stock | Kraft, corrugated, rigid board, cardstock |
| Printing | CMYK, Pantone, digital and offset |
| Finishing | Gloss, matte, spot UV, embossing, foiling |
| Shipping | Free delivery options |
Choose from premium coating, board, printing and finishing options for your insert boxes.

A transparent finishing layer available in gloss, satin, or matte effects. It enhances the printed surface and adds an extra layer of visual appeal and light protection.

A UV-cured coating applied to specific areas of the design to create gloss or matte contrast and draw attention to important details.

A smooth, velvety coating that creates a soft tactile feel and gives packaging a refined luxury look. It improves the unboxing experience and supports a high-end product presentation.

A soft, smooth lamination with a refined satin-like finish. It gives packaging a premium feel while keeping the surface elegant, subtle, and easy to handle.

A high-gloss UV coating applied only to selected design areas to create sharp contrast, highlight logos, and add a premium visual effect without coating the whole surface.

A clear, fast-drying water-based coating that adds a smooth protective layer while maintaining a clean and professional surface finish. It is a practical choice for everyday printed packaging.

A durable protective film that helps reduce visible scratches, scuffs, fingerprints, and daily handling marks. It keeps packaging looking clean, polished, and premium for longer.

A bleached kraft paperboard made from a mix of virgin and recycled pulp, offering a clean white surface for crisp and polished packaging designs.

A natural kraft paperboard without coating, made from virgin and recycled pulp. It provides a raw, organic appearance with sturdy packaging strength.

A premium bleached paperboard coated on both sides, designed for excellent print quality, die-cutting, and professional packaging results.

A high-quality bleached paperboard coated on one side. It provides a clean printable face with a premium packaging feel.

A smooth printable paper stock that supports high-resolution graphics, clean text, and rich color output for refined packaging presentation.

A natural kraft paperboard made from strong virgin and recycled pulp. It provides an organic, earthy look for sustainable and simple packaging.

A specialty paperboard with a laminated metallic surface available in gold, silver, and other premium finishes for luxury visual impact.

A specialty paperboard with a laminated holographic surface that creates a reflective, rainbow-like appearance for eye-catching product packaging.

A recycled duplex paperboard with a white printable surface. It is ideal for economical packaging that still requires clean graphics and brand presentation.

A kraft board with a smooth clay-coated white face for quality printing and a natural kraft reverse side for a strong, authentic appearance.

A kraft paperboard with a clay-coated printable top surface and a natural unbleached kraft back. It balances clean branding with a rustic natural look.

A duplex paperboard made with recycled pulp and a coated white printable surface. It delivers smooth print results for affordable carton packaging.

A black-dyed kraft board with a natural paper texture and excellent strength. It creates a bold, premium look for luxury and specialty packaging.

A packaging technique where a die-cut opening is covered with a transparent film, allowing the product inside to remain visible while staying protected.

An embossing technique where the raised design is precisely aligned with printed artwork to improve detail, texture, and overall presentation.

A finishing process in which heat and pressure transfer metallic foil to the surface, creating a premium, shiny, and luxurious effect.

A premium finishing method that combines embossing with foil stamping to create a raised design with metallic color and strong visual impact.

A decorative process that transfers foil onto selected areas of the surface using UV-curable adhesive, creating a bright metallic effect with sharp detail.

A technique that raises a design from the surface without ink or foil, giving packaging a clean, elegant, and textured appearance.

A finishing technique that presses a design into the material to create a recessed impression without using ink or foil. It adds subtle depth and a refined tactile effect.

A fast-curing printing process that uses ultraviolet light to dry ink instantly, delivering sharp detail, vibrant colors, and a premium finish.

A durable printing method that uses a mesh screen and stencil to apply ink to surfaces. It is ideal for bold colors and high-impact packaging designs.

A traditional high-quality printing process that transfers designs from plates to a rubber blanket before printing, making it ideal for large-volume production.

A modern printing method that does not require printing plates, making it cost-effective and efficient for short runs, sample production, and small-batch quantities.

Built with three corrugated layers between four linerboard sheets, providing heavy-duty strength for large or industrial packaging needs.

A standard corrugated structure with one fluted medium and two linerboards, providing dependable strength for everyday packaging.

A corrugated sheet with one flute layer between two liners, offering lightweight strength for protective packaging.

An ultra-thin flute grade designed for lightweight packaging, small retail boxes, and high-quality printed presentation.

A slim flute grade with a flatter surface, ideal for detailed printing, display packaging, and premium retail boxes.

Made with two layers of corrugated medium between linerboard sheets, offering added strength and durability for heavier products.

A versatile corrugated flute that offers balanced compression strength, cushioning, and printability for many packaging applications.

A thinner flute grade with a smooth surface, making it suitable for high-quality printing, precise die-cutting, and neat retail packaging.

A thick corrugated flute profile that provides excellent cushioning, compression strength, and stacking support for protective packaging.

A coated linerboard with an off-white surface, suitable for high-quality printing and a refined packaging appearance.

An unbleached kraft linerboard made from recycled paper pulp, offering a natural look with strong durability for eco-conscious packaging.

A coated semi-gloss linerboard with a smooth white surface, ideal for sharp printing, premium presentation, and retail-ready packaging.

A fully bleached corrugated board with a bright white surface, designed to produce clean, vibrant, and high-quality printed packaging.

A UV-cured ink that dries instantly under ultraviolet light and creates crisp, high-quality print results on a wide range of packaging materials.

A plant-based ink made with soybean oil, offering rich color output and a more sustainable printing option for carton packaging.

A standardized color-matching system used to achieve consistent, accurate brand colors across packaging, labels, and printed materials.

A full-color printing process using cyan, magenta, yellow, and black inks to create vibrant images, gradients, and detailed packaging artwork.
Real feedback from customers who trust us with their custom packaging.
Clear answers about ordering, artwork, production, materials and delivery.
Orders start from 100 units. Standard production takes 6 to 8 business days after approval.
Less, and differently. A posted ring box is opened by its recipient, alone, holding it themselves, so the inside of an attached lid faces them either way and the orientation question disappears. What remains is the closed-box face, which is the first thing out of the mailer, and the slot direction, which still decides whether the ring is seen face-on when the lid lifts.
Yes, on a rigid box, subject to the specification. Foil is a pressed metallic film rather than an ink, so as general practice it sits on a dark lining without being absorbed into it. That is why it is the usual choice where the inside of the lid is lined dark and the mark has to be read at arm's length. Print inside the lid works well on a pale lining; on a dark one, ask for foil or a light-coloured lining under the print.
Same logo, one placement file per construction, because the marks land on different panels and, on the attached lid, in a different orientation. The lift-off box's lid inside is usually left plain. Send one logo, name the constructions you run, and each dieline is set up on its own, so a reorder of either box picks up its own file rather than the other's.
An unlaminated paperboard construction may be easier to process through suitable paper-recycling streams than a heavily laminated alternative. On a rigid ring box the wrap, any laminate, a foil mark, a magnetic closure and a foam insert are each part of the picture, and a card insert is the simpler choice on that count. Final recyclability depends on the full material and finishing specification and the facilities available locally.