
Varnish
A transparent finishing layer available in gloss, satin, or matte effects. It enhances the printed surface and adds an extra layer of visual appeal and light protection.
A paperboard or corrugated box cut to your own outline, either as a shaped element on a standard carton or as a shaped box in its own right, with the difference between the two settled before anything is drawn. Orders start from 100 units.
“Shaped” means two things, and the quote depends on which one you mean. A shape can be on the box: a lid with a scalloped edge, a window cut as a star, a sleeve with a curved end, a silhouette cut into one panel of an ordinary carton. Or the shape can be the box: a heart, a hexagon, a house, with walls and a base and a lid that all follow the outline. The first keeps everything that makes a carton work. The second has to work it all out again.
Most shaped briefs are this kind, and they are the easier kind. The carton underneath is a standard structure, tuck-end or auto-lock or two-piece, with a flat base that stands, flaps that close, and creases that fold, and the shape is added to one part of it. A shaped window shows the product through an outline. A shaped lid edge or a die-cut silhouette on the front changes what the box looks like without changing what it does. A shaped sleeve slides over a plain tray and carries the whole design. As general practice, if the shape is meant to be seen rather than held, this is the version to brief, because the box still stacks, still ships flat and still closes the way the packer expects.
A shape that is the whole box has to answer three questions, and they are settled in this order because each one narrows the next.
It has to stand. Whatever the outline, one face has to be flat enough to sit on a shelf or a counter, and that face has to be part of the outline rather than fought against. A hexagon stands on any of six flat faces. A heart stands on its point only if the point is cut off to make a foot. A shape with no flat face at all, an egg, a ball, a teardrop on its side, needs a foot, a cradle or a stand designed in, and Cardboard Egg Shaped Boxes works through exactly that.
It has to close. A lid or a flap has to meet the walls along the outline, and a closure that locks on a straight edge does not lock on a curve. Straight-edged shapes close on ordinary tucks and flaps; a curved outline usually takes a lift-off lid that drops over the walls, or a base and a separate top that fit as a pair. Coffin Shaped Treat Boxes is the clearest case of a shaped box that closes like a plain one, because every edge is straight.
It has to be made from flat board, and the outline decides how. A shaped box with straight walls is cut and creased from one sheet and folded up on the bench, like any carton. A curved wall cannot be folded on a single score. It is either a run of many narrow creases, which gives a faceted curve, or a wall formed as its own piece and fixed in, which makes the box an assembled one rather than a folded one. As general practice, the more of the outline that is straight, the more the box is a carton, and the more of it that curves, the more it is a built object. What that means for assembly and for the quote is settled on the order rather than here. A tapered outline brings its own problem, the points, which Christmas Tree Shaped Gift Boxes covers.
A drawing of the outline and the product that goes inside. That is the brief, and it is enough, because the shape is drawn as a flat blank and worked back from the product’s dimensions, not from a picture of a finished box. If the outline is a logo or a character, send the vector file. If it is a product’s own silhouette, send the product. Design support is free. That support covers setting the outline onto a blank and adapting the artwork to it. A digital 3D mock-up is free. The mock-up is where you see the shape standing and closed before anything is cut.
Print goes across whatever faces the shape has; the method follows the artwork and the quantity. Pantone references and CMYK values can be used to manage colour consistency, subject to normal variation caused by the chosen board, ink, coating and production method. Orders start from 100 units. There are no setup fees. Standard production takes 6 to 8 business days after approval. UK delivery is free.
If the question is why to choose a shape at all, the product’s own form or shelf standout, and what a shape costs in stacking and storage, Different Shape Boxes answers it. If the shape you want is a standard dieline with a name, the Box Style page lists them by the job they do. The rectangular range, in every board, is under Cardboard Boxes.
| Box Style | All Custom Packaging |
| Dimension | All Custom Sizes & Shapes |
| Quantities | 100-unit minimum order |
| Paper Stock | Kraft, corrugated, rigid board, cardstock |
| Printing | CMYK, Pantone, digital and offset |
| Finishing | Gloss, matte, spot UV, embossing, foiling |
| Shipping | Free delivery options |
Choose from premium coating, board, printing and finishing options for your insert boxes.

A transparent finishing layer available in gloss, satin, or matte effects. It enhances the printed surface and adds an extra layer of visual appeal and light protection.

A UV-cured coating applied to specific areas of the design to create gloss or matte contrast and draw attention to important details.

A smooth, velvety coating that creates a soft tactile feel and gives packaging a refined luxury look. It improves the unboxing experience and supports a high-end product presentation.

A soft, smooth lamination with a refined satin-like finish. It gives packaging a premium feel while keeping the surface elegant, subtle, and easy to handle.

A high-gloss UV coating applied only to selected design areas to create sharp contrast, highlight logos, and add a premium visual effect without coating the whole surface.

A clear, fast-drying water-based coating that adds a smooth protective layer while maintaining a clean and professional surface finish. It is a practical choice for everyday printed packaging.

A durable protective film that helps reduce visible scratches, scuffs, fingerprints, and daily handling marks. It keeps packaging looking clean, polished, and premium for longer.

A bleached kraft paperboard made from a mix of virgin and recycled pulp, offering a clean white surface for crisp and polished packaging designs.

A natural kraft paperboard without coating, made from virgin and recycled pulp. It provides a raw, organic appearance with sturdy packaging strength.

A premium bleached paperboard coated on both sides, designed for excellent print quality, die-cutting, and professional packaging results.

A high-quality bleached paperboard coated on one side. It provides a clean printable face with a premium packaging feel.

A smooth printable paper stock that supports high-resolution graphics, clean text, and rich color output for refined packaging presentation.

A natural kraft paperboard made from strong virgin and recycled pulp. It provides an organic, earthy look for sustainable and simple packaging.

A specialty paperboard with a laminated metallic surface available in gold, silver, and other premium finishes for luxury visual impact.

A specialty paperboard with a laminated holographic surface that creates a reflective, rainbow-like appearance for eye-catching product packaging.

A recycled duplex paperboard with a white printable surface. It is ideal for economical packaging that still requires clean graphics and brand presentation.

A kraft board with a smooth clay-coated white face for quality printing and a natural kraft reverse side for a strong, authentic appearance.

A kraft paperboard with a clay-coated printable top surface and a natural unbleached kraft back. It balances clean branding with a rustic natural look.

A duplex paperboard made with recycled pulp and a coated white printable surface. It delivers smooth print results for affordable carton packaging.

A black-dyed kraft board with a natural paper texture and excellent strength. It creates a bold, premium look for luxury and specialty packaging.

A packaging technique where a die-cut opening is covered with a transparent film, allowing the product inside to remain visible while staying protected.

An embossing technique where the raised design is precisely aligned with printed artwork to improve detail, texture, and overall presentation.

A finishing process in which heat and pressure transfer metallic foil to the surface, creating a premium, shiny, and luxurious effect.

A premium finishing method that combines embossing with foil stamping to create a raised design with metallic color and strong visual impact.

A decorative process that transfers foil onto selected areas of the surface using UV-curable adhesive, creating a bright metallic effect with sharp detail.

A technique that raises a design from the surface without ink or foil, giving packaging a clean, elegant, and textured appearance.

A finishing technique that presses a design into the material to create a recessed impression without using ink or foil. It adds subtle depth and a refined tactile effect.

A fast-curing printing process that uses ultraviolet light to dry ink instantly, delivering sharp detail, vibrant colors, and a premium finish.

A durable printing method that uses a mesh screen and stencil to apply ink to surfaces. It is ideal for bold colors and high-impact packaging designs.

A traditional high-quality printing process that transfers designs from plates to a rubber blanket before printing, making it ideal for large-volume production.

A modern printing method that does not require printing plates, making it cost-effective and efficient for short runs, sample production, and small-batch quantities.

Built with three corrugated layers between four linerboard sheets, providing heavy-duty strength for large or industrial packaging needs.

A standard corrugated structure with one fluted medium and two linerboards, providing dependable strength for everyday packaging.

A corrugated sheet with one flute layer between two liners, offering lightweight strength for protective packaging.

An ultra-thin flute grade designed for lightweight packaging, small retail boxes, and high-quality printed presentation.

A slim flute grade with a flatter surface, ideal for detailed printing, display packaging, and premium retail boxes.

Made with two layers of corrugated medium between linerboard sheets, offering added strength and durability for heavier products.

A versatile corrugated flute that offers balanced compression strength, cushioning, and printability for many packaging applications.

A thinner flute grade with a smooth surface, making it suitable for high-quality printing, precise die-cutting, and neat retail packaging.

A thick corrugated flute profile that provides excellent cushioning, compression strength, and stacking support for protective packaging.

A coated linerboard with an off-white surface, suitable for high-quality printing and a refined packaging appearance.

An unbleached kraft linerboard made from recycled paper pulp, offering a natural look with strong durability for eco-conscious packaging.

A coated semi-gloss linerboard with a smooth white surface, ideal for sharp printing, premium presentation, and retail-ready packaging.

A fully bleached corrugated board with a bright white surface, designed to produce clean, vibrant, and high-quality printed packaging.

A UV-cured ink that dries instantly under ultraviolet light and creates crisp, high-quality print results on a wide range of packaging materials.

A plant-based ink made with soybean oil, offering rich color output and a more sustainable printing option for carton packaging.

A standardized color-matching system used to achieve consistent, accurate brand colors across packaging, labels, and printed materials.

A full-color printing process using cyan, magenta, yellow, and black inks to create vibrant images, gradients, and detailed packaging artwork.
Real feedback from customers who trust us with their custom packaging.
Clear answers about ordering, artwork, production, materials and delivery.
Orders start from 100 units. Standard production takes 6 to 8 business days after approval.
Yes, in two ways. The cut lands on the print, so as general practice any colour or image that reaches a shaped edge is drawn past it, so that a small shift in the cut does not leave a white sliver along the outline. And on a faceted curve, a continuous image crosses a crease at every facet. A design that puts fine detail or a face across the curved wall breaks up at each one, and a heavy solid shows every crease as a lighter line. Put the detail and the solids on the flat faces, and give the curve a light tint, a small repeating pattern or the board's own colour.
A folding shaped box does, whatever its outline; a straight-edged one makes up as quickly as a plain carton, and a faceted curve takes a little longer to fold round. A shaped rigid box, a base and a lid made as a pair, is supplied made up, as rigid boxes are. Which construction you are getting is settled when the blank is drawn, and it is worth asking then if bench time or storage space matters.
Yes, and it is often the better brief. A standard carton with a shaped insert, a heart-shaped cavity cut into a card platform, gives the shape at opening and keeps a box that stacks and ships flat. The insert is cut to the product and the outline; the carton around it is any style from the range.
An unlaminated paperboard construction may be easier to process through suitable paper-recycling streams than a heavily laminated alternative. A shaped outline changes nothing about that on its own; a film window or a glued-in curved piece is where the answer starts to depend on the parts. Final recyclability depends on the full material and finishing specification and the facilities available locally.